Posts in press

Gran Sacerdotessa de Aida

March 15th, 2023 Posted by press 0 thoughts on “Gran Sacerdotessa de Aida”

Opera Actual. M. Muñóz.

“Marta Bauzà perfecta en su cometido. ”

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Ara Balears. J.A.Mendiola

“Toca i fa gong destacar la presencia d’una Marta Bauzà que com a gran sacerdotessa demana papers de més calat i importancia.”

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Codalario. R. Chamorro Mena

“Mucho mejor Marta Bauzà el día 25.”

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Platea Magazine. J. Maddaleno

” Eficiente y estilosa la Sacerdotessa de Marta Bauzà

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La Princesse Amirah

June 19th, 2020 Posted by press 0 thoughts on “La Princesse Amirah”

Princess Amirah is embodied by soprano Marta Bauzà. (…) When Amirah delivers her feelings, the annoying teenager gives way to a touching velvet voice. Well-placed trebles always resonate, and are held strong when she thinks she has lost her husband. The diction comes out reinforced by despair, the warmth of the final tone is enveloping, and the annoying Princess turns out to be very endearing.

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Musseta

June 19th, 2020 Posted by press 0 thoughts on “Musseta”

“Marta Bauzà was a composed Musetta and with the right dose of stridency.”

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Marta Bauzà’s very successful Musetta alsostood out, with ease, strong stage presence, abundant treble andremarkably naturalphrasing.”

https://www.plateamagazine.com/criticas/7139-la-joven-orquesta-nacional-de-cataluna-interpreta-la-boheme-en-el-palau-de-la-musica

Micaëla

June 17th, 2020 Posted by press 0 thoughts on “Micaëla”

Marta Bauzá offered a smooth and very correct Micaëla”.

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Berta

June 16th, 2020 Posted by press 0 thoughts on “Berta”

The young Marta Bauzà, imperturbable Berta, wears her improbable hairstyle during the first act and is very convincing in her air Il vecchiotto cerca moglie (“The old man seeks woman”), in which she packs her bags, determined to leave this crazy house that she can’t bear anymore!

 

https://www.olyrix.com/articles/production/2344/le-barbier-de-seville-opera-national-rhin-strasbourg-barbiere-siviglia-rossini-rousseau-gamba-gentner-hotea-kosavic-viotti-lepore-galeazzi-bauza-mostovoi-18-septembre-2018-choeurs-orchestre-symphonique-mulhouse-nouvelle-production-critique-chronique-compt